New Canon Project Composers - Strings

Bianca d'Avila do Prado

Brazilian cellist and pedagogue Bianca d’Avila do Prado is cello faculty at the Music Institute of Chicago and online instructor for the University of Idaho Preparatory Division. As MIC she teaches Suzuki and Traditional cello and leads the Third Coast Suzuki outreach program for the Hispanic community.

Ms. Prado holds a Master of Music in Cello Performance and String Pedagogy degree from Illinois State University. She was principal cellist at the ISU Symphony and regularly plays as a guest cellist with the Peoria Symphony Orchestra. With Camerata Ontoarte, she recorded six CD’s and performed concerts in Brazil, Italy, and Russia. She was also part of Theatro São Pedro Chamber Orchestra and Quatricelli Cello Quartet. Bianca is a passionate music educator and has experience teaching music students in Brazil and in the US for more than 20 years.

Bianca has been working on making Brazilian music for strings more accessible to students in the US. She had her articles "Teaching Diversity: Four Brazilian Pieces for String Orchestra" published in the Scroll Magazine and "Viajando Pelo Brasil I, Suite for Strings: A Fun way to Explore the Richness of Brazilian Culture and Music” in the American String Teacher Magazine.

Her composition “Brazilian Habanera” was one of the five pieces selected to be part of the Beginning Level Volumes of the Celebrate Diversity in String Music Anthology. She is also one of the composers commissioned by the Cello Teaching Repertoire Consortium in 2023 and is writing a cello solo suite for intermediate students.


Rolando J. Gomez

Skye Soto Steele

Traci Wilusz

Rolando J Gomez (b. 2001) is a composer and musician originally from Miami, Florida. He graduated from Oberlin Conservatory with a major in music composition, having studied under Stephen Hartke, Jihyun Kim, and Jesse Jones. Additionally, he pursued a minor in TIMARA (Technology in Music and Related Arts). His music often infuses Cuban, American, Neo-classical, and European Modernist styles. His repertoire includes numerous solo and chamber works, humorous and sentimental art songs, as well as compositions involving electronics. Apart from composing, Rolando remains connected to his Cuban heritage by exploring the Cuban Tres, a traditional stringed instrument native to the island.


Dión Morales


Dión (pronounced: dee-own) Morales was born, raised, and lives in Chicago, Illinois with his wife and two daughters. He began his orchestral studies as a high school student at Lane Tech College Prep High School in the Chicago Public School system. He received his undergraduate degree in music education from VanderCook College of Music and in 2021 he earned his Masters degree from VanderCook as well. He has taught elementary and middle school orchestra in Des Plaines District 62 since 2010. The arranging of music by minority composers for school orchestra programs is a project that he has been developing since 2020. Music from this project has been performed at the Midwest Band and Orchestra clinic and has won multiple awards.

Alongside his arrangements, Dión is also passionate about writing original works for student ensembles at all levels and for 2023 has volunteered to provide free commissions to 14 schools across the United States.

Dión is married to Devon Morales. She is the department chair and head orchestra director at Lane Tech, as well as a fellow composer and arranger.

Puerto Rican-American violinist, songwriter, and educator Skye Soto Steele has gone from busking in the NYC subways as a teenager, to playing concert stages around the world. He has released four albums of original music and toured as a solo artist throughout the US and Europe, as well as working as musical director and multi-instrumentalist for platinum-selling singer songwriter Vanessa Carlton for over a decade. As an improvising violinist Skye has worked with jazz legends like Henry Butler, Anthony Braxton, Steven Bernstein, and Matt Wilson, and with country and rock artists Willie Nelson, Jolie Holland, and Deer Tick. He has delved into string-playing traditions from Turkey to Brazil, learning from masters like Mestre Salustiano, Mestre Luiz Paixao, Najib Shaheen, and Selim Sesler. 

Teaching has been a passion throughout Skye’s career, informed by his mother’s work as a bilingual public school and Suzuki violin teacher. Whether introducing children to strings in NYC public schools, working with adult musicians living in incarceration, or fellow music teachers, Skye centers musical adventure, joy, and connection to inner-life in his teaching.

In 2017, Skye created A People’s History of Strings as a way to help young players and the general public have a more de-colonized encounter with his favorite instrument. Drawing on his travels, family history, and historical research, A People’s History of Strings is a narrative concert and playable curriculum that provides a framework for culturally sustaining pedagogy, while revealing and countervailing the eurocentrism and white-supremacy baked into so much conventional string pedagogy.


Traci Wilusz is a multi genre composer and songwriter residing in the DC area. One half of the music composition, songwriting and production team named, “Storied Windows”, she has released several albums and has written film scores for multiple indie films. In addition to writing to picture, she currently writes production music, released both independently and under a publisher. Her most common styles of writing include classical, new age, indie folk and indie rock, using a wide assortment of musical instruments and influences. Traci has a Bachelor’s degree in Psychology from Southwestern Adventist University and has studied piano, violin and bass guitar. She is married to her husband, Richard, the other half of Storied Windows. They enjoy spending their time together writing music, hiking and raising their beautiful 7 year old son, Jackson.

New Canon Project Composers - Choral

Brian Harris

Brian Harris, a 24-year-old teacher and accomplished freelance composer, boasts an impressive portfolio of over 80 compositions spanning various ensembles, including solo voice and piano, choir, a flute quartet, and multiple string works. His works have been well-received both at the college level and within the community, attesting to the broad appeal of his musical prowess.


Taleya Jordan

Marina Quintanilla

Khyle B. Wooten


Cristian Larios

Taleya Jordan is a senior Music Education student at Southeastern Louisiana University where she studies classical, jazz, and musical theatre. She has performed for Southeastern’s Mozart Opera Scenes and this past December was a featured soloist in Vivaldi’s Gloria at First United Methodist Church of Hammond. She has also done productions with Swamplight Theatre such as “Oliver” (Mrs. Bedwin) and “Wilber’s Disco Inferno of Love” (Cabaret Performer). When she isn’t in productions, she competes in the Musical Theatre Division of the NATS (National Association of Teachers of Singing) competition. Taleya Jordan is the business owner of “Cantante Music Lessons” where she helps both newcomers and seasoned performers achieve whatever goals they have.

Cristian Larios (he/él) is a composer, conductor, and educator from Joliet, IL. He currently serves as choir director at Plainfield North High School. His works range from chamber music to larger choral works. Through his music, he hopes to empower the performers and provide the listener with a new perspective on the human experience.

His music has been performed by the Illinois State Madrigals, No-Name Chorale, SWIC Chamber Singers, Tonality, and has been featured at the REDNote New Music Festival. In 2021, Cristian’s piece ‘in this house’ was featured on Tonality’s album America Will Be. In 2019, Cristian was accepted as a fellow for the PREMIERE|Project Festival in collaboration with Choral Arts Initiative. Larios has also collaborated with the School of Theatre and Dance and Kristin Schoenback on Ellen Mclaughin’s, Oedipus. Cristian enjoys the collaborative process and is always looking for new adventures and challenges.

In 2017, Larios was the recipient of the Harlan Peithman Music Scholarship for excellence in music theory and composition as well as the Illinois Minority Teachers Scholarship in 2018. Larios graduated with his Bachelors of Music Education-Choral and his Bachelors of Music in Composition from Illinois State University where he studied composition with Martha Horst, Roger Zare, Roy Magnuson, Joshua Keeling, and Carl Schimmel. Cristian is currently pursuing his Masters of Music Education at the University of Illinois Urbana-Champaign.

He is an avid supporter of ramen, flowers, and the sparkle emoji.

Khyle B. Wooten (he/him), a native of Philadelphia, PA, is Assistant Professor of Music Performance and Director of Choral Activities at Ithaca College. He maintains professional activities as a conductor, educator, clinician, researcher, and composer. Previously, Wooten served as Associate Director of Choral Activities at the University of Tennessee, Knoxville and has fulfilled prior K-12 teaching posts with charter schools in the cities of Philadelphia, Pennsylvania and Atlanta, Georgia.

At present, Wooten leads ongoing research on the life and music of Lena McLin and extended choral works of Black women composers, presenting regularly at regional and national conferences. He is an inaugural fellow of the Future of Music Faculty Fellowship with the Cleveland Institute of Music. Additionally, Wooten completed commissions for the Cincinnati Song Initiative, Tallahassee Symphony Orchestra MINA String Quartet. Excerpted movements from Wooten’s baritone song cycle, A Journey in Love, are published in the digital anthology, Modern Music for New Singers. His choral recent works include Life and Death (TTBB) and The Dream Keeper (SA). Wooten is the co-founder and conductor of the Sankofa Vocal Collective in Atlanta, Georgia.

Wooten holds degrees in music education and choral conducting from Lincoln University of PA (BS), Georgia State University (MM), and Florida State University (PhD).


Attending Oklahoma City University as an undergraduate student, Marina Quintanilla was a student majoring in Vocal Performance, but also participating in the Wind Ensemble and Jazz Band as the bari saxophone player. It wasn’t until her junior year when she took a composition class that she realized composing was something she enjoyed and felt confident doing. This class sparked her creativity, and she was offered a full ride to return to her alma mater as a Master’s student in Composition. Since returning to school, she has had readings with the OCU Symphony Orchestra, and has written a choral piece which made its debut with a semi-professional chamber choir, The Canterbury Chamber Voices.


PROJECT PARTNERS

Rising Tide Music Press is the flagship program of Rising Tide Music & Arts, a non-profit organization supporting dialogue, collaboration and innovation across creative communities. Through the Press, we partner with artists, educators and organizations to create career pathways and dedicated spaces for BBIA composers to be heard. www.risingtidemusicpress.com

The American String Teachers Association (ASTA) creates and leads a community of diverse members to advance string teaching, performing, and scholarship. ASTA members are empowered to provide universal access to string teaching, playing, and learning. www.astastrings.org

The American Choral Directors Association (ACDA) inspires excellence and nurtures lifelong involvement in choral music for everyone through education, performance, composition and advocacy. ACDA creates powerful artistic experiences and advocates for cultural and educational change that we might transform people’s lives through choral music. www.acda.org

ArrangeMe, owned and operated by Hal Leonard, is the global platform designed to enable songwriters, composers, and arrangers to sell their arrangements of popular songs, public domain works, and original compositions through the world's most-popular sheet music retailers. www.arrangeme.com.

The Sphinx Venture Fund (SVF), a program of the Sphinx Organization, has committed more than $1.5 million dollars over the past five years to transform the future of cultural diversity, equity, and inclusion in the arts. SVF catalyzes initiatives designed to solve a challenge or an issue related to DE&I in the sphere of the performing arts, with an emphasis on classical music. www.sphinxmusic.org

The National Endowment for the Arts (NEA), established in Congress in 1965, is an independent federal agency that is the largest funder of the arts and arts education in communities nationwide and a catalyst of public and private support for the arts. By advancing equitable opportunities for arts participation and practice, the NEA fosters and sustains an environment in which the arts benefit everyone in the United States. www.arts.gov